Royer tackle this potential problem by using the same well-proven three-layer wire-mesh screen employed in the R-101 but, uniquely for a Royer mic, the familiar slotted grille arrangement has been replaced with a more conventional open grille. Royer R-10 vs R-121 Quick Comparison Demo Video by Shawn Tubbs. Sennheiser M160 Vs Royer R10 The first thing I wanted to ask is a comparison between the two M160 and R10 ribbon microphones I have a studio in Rome (Italy) open to all types of customers, so I don't need them for a specific use, even if they will mainly be for electric and acoustic guitars, but with the possibility of using them in other applications The R-121 redefined ribbon microphones so completely that Recording Magazine wrote: “…the Royer R-121 is destined to become one of the classic microphones of the 21st century.” Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. I don't often write reviews for gear because it's so subjective, but I have to say, the Royer R10 has blown me away. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. I wonder if Royer makes any microphones in pink? While I know there will always be studios that buy the R121, I kinda feel like Royer might have pulled the rug out from under themselves here, as I could comfortably ditch my other mics in favor of the R10 for electric guitar micing. Guitarist Shawn Tubbs compares the Royer R-10 ribbon microphone, retailing for $495, to Royer’s flagship R-121 ribbon microphone. The ribbon transducer’s flux-frame and rare earth Neodymium magnets create a powerful magnetic field which increases sensitivity while reducing stray magnetic radiation. Share this: Click to share on Twitter (Opens in new window) Click to share on Facebook (Opens in new window) Click to share on … Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. Again, this brings more benefits starting with less machining of the microphone’s body and thus lower manufacturing costs. The R-101 incorporates Royer’s patented offset-ribbon technology and a low mass, 2.5-micron aluminum (99.9% pure) ribbon element. Now I would love to own a Royer as it is a third generation modern ribbon microphone and really sounds nothing like the earlier second-generation Beyer 160/130 series or the original RCA 44/77 or Coles British ribbon. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning. Posted on December 21, 2018 December 21, 2018 by royerlabs. Ms. Remy Ann David RemyRAD, Jun 8, 2006 #4. Twenty years ago, Royer Labs unleashed the "now classic" Royer R–121 mic [Tape Op #19], and (along with AEA) helped point digital-weary engineers back towards the welcome old-school sound of ribbon microphones.